ALTERNATE ESSENTIALS of AMERICAN CINEMA -- 1960s

PUTNEY SWOPE (1969, Robert Downey)

SALESMAN (1969, Maysles Brothers)

FACES (1968, John Cassavetes)

NIGHT OF THE LIVING DEAD (1968, George Romero)

THE PARTY (1968, Blake Edwards)

ROSEMARY’S BABY (1968, Roman Polanski)

BONNIE AND CLYDE (1967, Arthur Penn)

THE SHOOTING (1967, Monte Hellman)

WAVELENGTH (1967, Michael Snow)

BUNNY LAKE IS MISSING (1965, Otto Preminger)

RIDE IN THE WHIRLWIND (1965, Monte Hellman)

MARNIE (1964, Alfred Hitchcock)

MY FAIR LADY (1964, George Cukor)

SHOCK CORRIDOR (1963, Samuel Fuller)

ADVISE AND CONSENT (1962, Otto Preminger)

DOG STAR MAN (1962, Stan Brakhage)

THE MAN WHO SHOT LIBERTY VALANCE (1962, John Ford)

THE MANCHURIAN CANDIDATE (1962, John Frankenheimer)

WHAT EVER HAPPENED TO BABY JANE? (1962, Robert Aldrich)

BREAKFAST AT TIFFANY’S (1961, Blake Edwards)

THE HUSTLER (1961, Robert Rossen)

ONE TWO THREE (1961, Billy Wilder)

JAZZ ON A SUMMER’S DAY (1960, Bert Stern)

>>> Alternate Essentials of American Cinema -- previous posts:

- 1970s

- 1980s
- 1990s

- 2000s
- Introduction