ALTERNATE ESSENTIALS of AMERICAN CINEMA -- 1990s

BEING JOHN MALKOVICH (1999, Spike Jonze)

ELECTION (1999, Alexander Payne)

EYES WIDE SHUT (1999, Stanley Kubrick)

THE IRON GIANT (1999, Brad Bird)

MAGNOLIA (1999, Paul Thomas Anderson)

THE MATRIX (1999, Wachowski Brothers)

SWEET AND LOWDOWN (1999, Woody Allen)

THREE KINGS (1999, David O. Russell)

THE BIG LEBOWSKI (1998, Coen Brothers)

BULWORTH (1998, Warren Beatty)

RUSHMORE (1998, Wes Anderson)

THE THIN RED LINE (1998, Terrence Malick)

BOOGIE NIGHTS (1997, Paul Thomas Anderson)

CONTACT (1997, Robert Zemeckis)

FAST, CHEAP, AND OUT OF CONTROL (1997, Errol Morris)

IN THE COMPANY OF MEN (1997, Neil Labute)

KUNDUN (1997 Martin Scorsese)

FARGO (1996, Coen Brothers)

BEFORE SUNRISE (1995, Richard Linklater)

CASINO (1995, Martin Scorsese)

DEAD MAN (1995, Jim Jarmusch)

HEAT (1995, Michael Mann)

SAFE (1995, Todd Haynes)

SENSE AND SENSIBILITY (1995, Ang Lee)

ED WOOD (1994, Tim Burton)

GROUNDHOG DAY (1993, Harold Ramis)

SHORT CUTS (1993, Robert Altman)

GLENGARRY GLEN ROSS (1992, James Foley)

THE LAST OF THE MOHICANS (1992. Michael Mann)

THE PLAYER (1992, Robert Altman)

BEAUTY AND THE BEAST (1991, Gary Trousdale)

CITY OF HOPE (1991, John Sayles)

EDWARD SCISSORHANDS (1990, Tim Burtion)

TO SLEEP WITH ANGER (1990, Charles Burnett)

METROPOLITAN (1990, Whit Stillman)

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- 2000s

- Introduction